Inextricably Linked..

"Adrift"

Partfaliaz.com write-up

Thanks to Antoine over at Partfaliaz.com for this recent post on my work. It's a great blog to check out for upcoming and established artists alike.

Arrive Magazine Illustrations

Last week I worked on these 3 illustrations for Amtrak's Arrive Magazine. The article's headline is "You can go your own way", and the subhead reads "The entrepreneurial spirit is alive and well in these hard economic times." For the opener illustration, I wanted to come up with a metaphor that tied in with this. I thought that the visual pun of swerving headlights could suggest that entrepreneurs are thinking ahead and avoiding disasters when they seem imminent. The 1st spot illustration (with the butterflies) will be in a section that discusses how to get the word out about your (the entrepreneur's) product or service. And the 2nd spot (with the horse) will accompany one of the sidebar sections – "Are you running away from something or running toward something?" If you ride on Amtrak's Acela line in December/January, be sure to flip through the mag to check these out!

I included my sketches below. For the opener, I was actually kind of hoping they'd pick the sketch of the guy on the stilts avoiding the bear traps.. but it in the end I think the one they picked works better. That 3rd one shows a beaver making a dam out of all the "For Sale" signs out there (doing something constructive in a bad situation). As for that 3rd spot sketch, it would have been for the sidebar section titled "Can you sell your vision?" I think I was channeling Magritte a bit on that one..

Lurzer's Archive ads

I worked on these two promotional ads for Lurzer's Archive. The top one was made just a couple weeks ago, to be published in the near future.. and the bottom was in the vol. 4, 2008 issue.

The top ad was designed by Coco Connolly using some of the new branding for my agent, Friend & Johnson. The photo on the left was taken by Charles Shotwell, and I decided to make my page into a play off of his photo. I had free reign to do whatever I wanted, but thought it would be sort of funny to somehow use the missing chair from his photo. For some reason the first thing that popped into my head was a guy balancing a chair on his nose. So I went with that idea, and also pushed it to the more ridiculous side with the juggling of live grenades and the unicycle riding (which i've always wanted to try).

I designed the bottom ad myself, since I had the entire spread. And since I was extremely busy at the time, I used existing images: the left side being from a sketchbook, and the right side from a series of spots for Skiing Magazine.

Friend & Johnson - Promo

Here's the piece I did for the latest Friend & Johnson promotion (my rep), to be mailed out within the next couple of weeks. It's another group promo, and is being used to tie into a relationship with the non-profit 826 Valencia:

"Founded in 2002 by author Dave Eggers and educator Nínive Calegari, 826 Valencia is dedicated to supporting students ages 6 to 18 with their writing skills, and to helping teachers get their students excited about the writing. Our work is based on the understanding that strong writing skills are fundamental to future success and that great leaps in learning can be made when skilled tutors work one-on-one with students."
– 826valencia.org

So in addition to this being a normal promotional mailer, it will be donated to the organization for use by teachers to show students how visual people respond to words. The concept was to show the inspiration of language based on the single word "Edge". So each of the F&J artists worked out their own illustration of the word..

I decided to turn "Edge" into an acronym, E.D.G.E: Effusively Dotted Golden Elephant. I didn't feel like being too literal with the word "edge", and thought this opened up some more fun words to play with. The string on his trunk is just a little joke about how elephants are supposed to have amazing memories, so they shouldn't need physical reminders like bows tied to fingers (or in this case, trunks).

The elephant, as well as the type, were drawn in ink and colored digitally. I'll try to post some of the other artists' solutions when I get the final book..